Noise-color sound page · 10-minute independent master

White Noise Sound — Listen & Compare

Hear the bright, even “shhh” texture of original White Noise. This page focuses on the sound itself, its spectral characteristics, and comparison; for the full multi-sound listening machine and mixes, visit the WhiteNoiseChoir homepage.

Original DSP · no reused short clips

Play White Noise

Press Play to start. Nothing plays automatically.

On supported browsers, use the shared player for Volume, Sleep Timer and Dark Screen, and keep listening between pages. Without JavaScript, the native MP3 controls remain available.

Continuous streamNo sign-inSleep timerDark screen
Open the complete White Noise sound machine
Hear the difference

Compare White, Pink and Brown Noise

Switch between three independent master files without leaving this page. The same audio engine stays active while the track changes; your selected timer deadline is preserved.

White NoiseBright, broadband hiss with similar power per hertzFlat power spectral density Pink NoiseLess treble, more gentle low-frequency weightPower spectral density ~ 1/f Brown NoiseDeepest of these three, less high-frequency hissPower spectral density ~ 1/f²

Select a noise color. Audio never autoplays.

The masters are not loudness-matched: White -22.3 LUFS, Pink -23.6 LUFS, Brown -27.8 LUFS. Equal volume percentages do not mean equal perceived loudness; adjust down before switching as needed.

Read the individual guides: Pink Noise · Brown Noise.

What makes White Noise sound so bright?

In an idealized White Noise signal, power spectral density is roughly constant per hertz. A band from 4–8 kHz therefore contains more total energy than the 1–2 kHz band, because the higher band spans more individual frequencies. Pink Noise is different: it allocates roughly equal energy to each octave. This difference helps explain White Noise's stronger hiss.

Idealized White, Pink and Brown Noise relative power Theoretical noise power slopes normalized at 100 hertz. White remains at zero decibels through 10 kilohertz. Pink decreases about 20 decibels across two frequency decades, and Brown decreases about 40 decibels. 0−10−20−30−40100 Hz1 kHz10 kHzRelative power (dB) WhitePinkBrown
Theoretical curves normalized at 100 Hz, not a frequency-response measurement of your headphones. The production White Noise master was measured at 0 dB/decade (approximately flat).

Real MP3 audio and playback hardware have a finite bandwidth. “Flat” describes the master’s measured power distribution over the tested frequency range, not a guarantee of an acoustically flat output at your ear.

When might White Noise be useful?

Background masking

A broad, steady hiss can make certain quiet, unpredictable sounds less prominent. It adds sound; it is not the same as active noise cancellation.

Noise masking collection

Winding down

Some people choose a steady background at bedtime. Others find White Noise too bright and prefer softer Pink or Brown Noise. There is no guaranteed sleep effect.

Sleep sound collection

Work or reading

Continuous noise can serve as an alternative to music with lyrics or variable soundscapes. Choose only what helps you focus at comfortable levels.

Focus sounds

About this original White Noise master

The file is independently generated full-length DSP noise from WhiteNoiseChoir, not a short clip copied and repeated to reach ten minutes. The sound is distinct from rain, ventilation, waves or speech. The continuous player reuses the ten-minute master when listening longer.

Independently generated duration
10 minutes (600 seconds)
File format
MP3 · 44.1 kHz · 192 kbps
Channels
Centered dual-mono, two identical channels
Measured power spectral slope
0 dB/decade, target 0
Integrated master loudness
-22.3 LUFS
Measured true peak
-13.4 dBTP
Quiet quarter-second windows below −65 dBFS
0 in the technical QA
Quality gate
Technical QA passed; subjective listening on real devices not yet signed off
The source duration is not a ten-minute listening limit. Native HLS uses a pre-authored multi-cycle timeline on supported Safari devices; MP3 loops on other browsers. The operating system, browser or network can still interrupt playback. The loop test lets you seek near minute 10. LUFS and device volume settings are not measurements of sound pressure at your ears.

White Noise questions

What is the difference between White Noise and Pink Noise?

White Noise has nearly constant power per hertz in its ideal model; Pink Noise has power that declines roughly as 1/f, so it contains proportionally less high-frequency energy and generally sounds softer.

Does White Noise sound the same on every speaker?

No. A speaker or headphone’s own frequency response and playback volume change what you hear, especially at the low and high ends. The file’s spectral measurement does not measure your device’s acoustic output.

Will it stop after ten minutes?

No. Ten minutes refers to the independent source master. The player loops that master or uses native multi-cycle HLS, continuing until stopped, timer expiry or a device interruption.

Does White Noise improve sleep or concentration?

It may provide a consistent background that some listeners prefer, but responses vary. It does not guarantee better sleep or attention, and it should not replace appropriate medical guidance or hearing protection.

Where can I listen to more background sounds?

Open the WhiteNoiseChoir online sound machine to choose among all current sources and mixes. This page is dedicated to the original White Noise source and its characteristics.

Explore other noise colors

Pink Noise

Lower treble energy, softer broadband background.

Original 10-minute masterBrown Noise

A deeper rumble weighted toward bass.

Original 10-minute masterSoft White Noise

An owner-approved independent ten-minute filtered master.

Audio approved · page editorial review pending

Online sound machine · Noise Colors library · All sound pages